The Illustrator's Process

The Illustrator's Practice: Jennifer Heuer

For the past 7 years I’ve been working out of the Pencil Factory in Greenpoint Brooklyn. It’s been such an inspiring space to work out of. Having a crew of creative and talented friends up and down the halls has helped shape how I work over the years. Before I moved in here I wasn’t quite as confident in my illustration chops, but when you’re surrounded by some of the best in the biz, you get to have fresh eyes and opinions on projects.

The Illustrator's Practice: Jennifer Heuer

The Illustrator's Practice: Jeff Östberg

I was born in 1988 in a town called Kramfors in the northern parts of Sweden. It's a very small town so I spent a lot of my time drawing from a young age and I think growing up in a town like that has been important for my process. After college I moved to Stockholm to keep studying art and started with two preparing art schools followed by three years at Konstfack University of Art, Crafts & Design where I did a BA in Graphic Design & Illustration and graduated in 2013. Thereafter I had a year where I did a lot of music which I also love, went broke and started working in a store I hated so I kept building up my portfolio and webpage and some time after launching my page and posting stuff on Behance things started to move. Since then I've been working full-time illustrating.

The Illustrator's Practice: Jeff Östberg

Joe Wilson, Using Illustration to Bring The Sealwoman's Gift to Life

The Sealwoman’s Gift is the debut novel by Sally Magnusson and I had the great pleasure of bringing the cover to life. The book is a story about loss and love, set during a true incident in Icelandic history in 1627, when Barbary pirates raided an Icelandic island and abducted the 400 inhabitants into slavery in Algiers. Working alongside Art Director Sara Marafini at John Murray publishers, we decided the contrast of these two settings was something we could use to create a beautiful cover to wrap this book in. I was provided with a package of reference material, including my own work, extracts from the novel and some ideas Sara had about the direction. From here I started to develop some very rough thumbnails to try and plot out a rough composition and idea for the piece.

Joe Wilson, Using Illustration to Bring The Sealwoman's Gift to Life

The Illustrator's Practice: Kate Forrester

Kate Forrester is a freelance illustrator specialising in hand-drawn lettering and illustrated designs for packaging, publishing, advertising and other commercial applications. Selected clients include Diet Coke, Hachette, Victoria's Secret, John Lewis, Faber, Barnes and Noble and Penguin Books. When she’s not in her studio, Kate can be found pottering round Brighton with her naughty twins (usually to be found running in opposite directions), drinking too much coffee and attempting to master Muay Thai. Here she talks us through her process.

The Illustrator's Practice: Kate Forrester

The Illustrator's Practice: David Foldvari

David Foldvari has been working as an illustrator since the late 90's. His client list includes Nike, Penguin, The New York Times, Random House, The Museum of London, The Guardian, Newsweek, Le Monde, Historic Royal Palaces and countless others. His work has been exhibited globally, and it appears in print weekly in The Observer, where he illustrates columns by David Mitchell, Stewart Lee, and Charlie Brooker amongst others. David currently lives and works in London, and is represented by the Big Active agency. Here he talks us through his process.

The Illustrator's Practice: David Foldvari

The Illustrator's Practice: Shawn Harris

Shawn Harris is an artist and musician who lives and works in Morongo Valley, California. He began doing record and poster art for his own band the Matches in 2003, moving on to illustrate for bigger musicians such as Adele, Snoop Dogg, and 311. His first picture book "Her Right Foot", written by Dave Eggers, was the recipient of six starred reviews. Shawn and Eggers have a follow-up picture book slated for Fall 2018, entitled "What Can a Citizen Do?" 

Here he talks us through his illustration process.

The Illustrator's Practice: Shawn Harris

Sarah J. Coleman, Making the Dreadful Young Ladies

Illustrator / Designer Sarah J. Coleman has developed a remarkable portfolio of book cover designs over her career. Here she shares a time-lapse video for her drawing of the cover of the recently released Dreadful Young Ladies and Other Stories. 

Sarah J. Coleman, Making the Dreadful Young Ladies

Q & A with Illustrator Sara Mulvanny

Sara Mulvanny is a freelance illustrator based in North Hampshire, England. Her illustrations and hand-drawn typographic elements are reminiscent of the beautiful Art Deco style. Mulvanny has worked with Random House, Harper Collins and Sinsbury’s Magazine since 2010. We caught up with her to find out how she came into the industry, her typical creative process, and her creative contributions for Summer at Hope Meadows and Chasing the Dram: Finding the Spirit of Whisky.

Q & A with Illustrator Sara Mulvanny

Illustrator Chris Mould Riffs on Christmas

In the US and the UK, Christmas might be the strongest holiday brand of all. Illustrating a Christmas book, an artist faces two questions: How to visually interpret the author's story, and how to riff on a brand that's been in play since the Victorians elevated the holiday to its current carnival status. Artist Chris Mould took on these challenges when illustrating Matt Haig's "A Boy Called Christmas." 

Illustrator Chris Mould Riffs on Christmas