I always enjoy working on covers for the German author, Juli Zeh. Her writing is unusual, contemplative, and smart. Since the first book I worked on for her, In Free Fall, I've developed an overall look that continues to work. All three of these novels are loosely related visually, but what makes them cohesive is the cut-paper approach, bold colors and lines, and big type. For In Free Fall and Decompression, I came up with concepts that needed to be shot and I cut the type into paper, and had them photographed with dimension.