Clémentine Beauvais on the Inspiration & Development of In Paris With You

This month sees the US release of Clémentine Beauvais’ best selling French novel, In Paris with You. Told in verse, this tender and funny book is the story of Eugene and Tatiana, whose teenage romance fails, only to be rekindled when they meet again ten years later. The novel has been a bestseller on French charts since it was published in 2016, selling 30,000 copies in the first three months, and reprinting three times in the first two. It is no surprise this beautifully written story has such appeal. It is infinitely relatable, yet utterly unique. Much like the story in the novel, the story of the novel also crosses time and geography.

Clémentine Beauvais on the Inspiration & Development of In Paris With You

Brandy Colbert Talks Writing, Journalism, And Teaching

Brandy Colbert wrote the contemporary YA Finding Yvonne to fill a space.

“I wanted to explore the life of an unapologetically sexual black teenage girl, which we don’t often see— at least, not without their lives being ‘ruined’ shortly thereafter,” Colbert said. 

The novel features a teen violinist forced to make a difficult decision when she becomes unexpectedly pregnant. National Book Award finalist Elana K. Arnold called it “a pitch-perfect song of a book about all the ways a heart can break and mend.”

Brandy Colbert Talks Writing, Journalism, And Teaching

A Look at Interior Book Design with Jordan Wannemacher

We all know that cover design matters, but the visual elements of a book don’t stop at the jacket. Interior book design involves an artistic and logistical eye, a mind for both page layout as well as the music of the prose. Enter Jordan Wannemacher, a book designer who has taken her zeal for cover design straight to the pages themselves in her work for the interior of David J. Helfand’s A Survival Guide to the Misinformation Age.

A Look at Interior Book Design with Jordan Wannemacher

Chaya Bhuvaneswar on Crafting White Dancing Elephants

Reading forward through a short-story collection, a reader hopes to be moved uniquely by each piece, but also to arrive at book's end having undergone a singular experience. Writer Chaya Bhuvaneswar's White Dancing Elephants, described by author Jimin Han (A Small Revolution) as a "daring mix of ancient, contemporary, and dystopic stories," provides such a cumulative read.

Chaya Bhuvaneswar on Crafting White Dancing Elephants

Author/Designer Hafsah Faizal on Writing We Hunt the Flame

What if the Hunger Games were set in a fantasy world?

Contemplating that question during a discussion with her sisters sparked the idea behind YA author and popular designer Hafsah Faizal’s debut, We Hunt the Flame, a YA novel that took “four years and many iterations” to complete.

We Hunt the Flame features a huntress masquerading as a boy, as well as the prince sent to assassinate her. Evelyn Skye, New York Times bestselling author of The Crown’s Game series, called the ancient Arabia inspired fantasy “danger, magic, and hope all wrapped into one.”

Author/Designer Hafsah Faizal on Writing We Hunt the Flame

The Illustrator's Practice: M. S. Corley

M.S. Corley designs, illustrates, and dabbles in all stories dark. Along with his friends Nashotobi and Alejandro Mirabal, Corley recently founded Hollow Owl, a small press comic book company with a penchant for the creepy. We recently squared up with Corley to learn more about his life as an illustrator, graphic designer, comic book purveyor, and patron of pancake art.

The Illustrator's Practice: M. S. Corley

Beginning to End, The Making of Light from Other Stars, Part 3: Patti Ratchford

Beginning to End is a series from Spine following a book from acquisition to publication. For our first "season," we're following Light from Other Stars, about a young astronaut hopeful and an invention that alters time. The novel is author Erika Swyler's second, following her much-lauded 2015 debut, The Book of Speculation. Bloomsbury Art Director Patti Ratchford designed the cover, which features art by Marc Burckhardt. Bloomsbury will publish Light from Other Stars in May.

Beginning to End, The Making of Light from Other Stars, Part 3: Patti Ratchford

Michel Vrana on Designing The Death Scene Artist

Andrew Wilmot’s The Death Scene Artist (Woksak & Wynn) is a literary horror novel that recounts a romance between the dying M_____, a bit player film and television extra, and the world’s greatest living ‘redshirt’, who has died on screen nearly 800 times. There’s a lot of symbolism that came to mind right away in reading the book. Movies, death, performance, scripts, masks, red…

Michel Vrana on Designing The Death Scene Artist

Richard Ljoenes on Designing the Genre-Defying Works of Alejandro Jodorowsky

The Son of Black Thursday (Restless Books, November 2018) is the sequel to Alejandro Jodorowsky's semi-autobiographical Magnum Opus Where the Bird Sings Best. I had the opportunity of working on both of these covers, and they are up there with my favorite projects.

Richard Ljoenes on Designing the Genre-Defying Works of Alejandro Jodorowsky

Author Amy Bloom Details Her Process for Writing White Houses

Lorena Hickok was plain. Plain, Hick was, hardscrabble born just before the 19th century turned, risen up and away from her abusive father, away from South Dakota, into a career as a straight-spoken newspaperwoman, into the White House, into the bed of Eleanor Roosevelt, First Lady of the United States. Plain Hick was, and straight she spoke, straight words, but as imagined and written by Amy Bloom, words also strong and compelling, language sometimes spare, sometimes sharp, often lovely like the lovely of a winter beach.

Author Amy Bloom Details Her Process for Writing White Houses

Olga Grlic, Designing I Do Not Trust You

I Do Not Trust You was originally called The Lost Map of Chaos and is a teen thriller with lots of adventure and mystery, for my new imprint Wednesday Books. There was no direction given when it was launched and I knew I wanted it type and texture only and not photographic.

Olga Grlic, Designing I Do Not Trust You

Dan Mogford on Designing Wasted Calories and Ruined Nights

Wasted Calories and Ruined Nights is a collection of restaurant reviews by Jay Rayner detailing some of his worst experiences as restaurant critic for the Observer. Alex Kirby at Faber approached me with the brief to do something playful, maybe typographic with a hint of “dining gone wrong” and no photos of Jay himself. 

Dan Mogford on Designing Wasted Calories and Ruined Nights

Justine Bateman on Writing & Designing Fame: The Hijacking of Reality

Justine Bateman absolutely, one hundred percent could have written a celebrity memoir. You know the ones with the catchy titles, the People Magazine prose, the quirky-but-always-pretty photos splashed across the front. One of those. Bateman could have written one — publishers were pushing her to write one — and you know, it would have been easy.

Justine Bateman on Writing & Designing Fame: The Hijacking of Reality

Beginning to End, The Making of Light from Other Stars, Part 2: Lea Beresford

Beginning to End follows a book from acquisition to bookshelf. For this "season," we're honing in on Light from Other Stars, about a young astronaut hopeful and an invention that alters time. The novel is author Erika Swyler's second, following her much-lauded 2015 debut, The Book of Speculation. In our first article, we spoke with Swyler's agent Michelle Brower. Next up: Lea Beresford, senior editor at Bloomsbury Publishing, working with Swyler to ready the book for publication next year.

Beginning to End, The Making of Light from Other Stars, Part 2: Lea Beresford

Eric Wilder’s Dynamic Approach to Between Two Worlds

Designer Eric Wilder loves to take several visual approaches to a creative brief, hoping one will resonate perfectly with both publisher and author. Such was the case with Wilder’s design for Between Two Worlds, David Sorensen’s memoir about growing up as the hearing child of two deaf adults. When he received the brief from Gallaudet Press, Wilder decided to use both the abstract and the concrete in the cover designs he submitted. Ultimately, Gallaudet and Sorensen chose a design whose colors and shapes evoked the liminal space the author occupied in his formative years.

Eric Wilder’s Dynamic Approach to Between Two Worlds

William Morris, Designer & Provocateur

The best designers aren’t just designers. They’re thinkers, dreamers, makers, tinkerers, dabblers, doers, and provocateurs. Case in point? Consider William Morris, influential member of the Arts and Crafts Movement, poet, textile artist, political oppositionist, Medieval fanboy, and book cover designer. A 19th-century giant of design, Morris defied Victorian ideals of mass production and proved that the best designs always belong to the artisan, not the machine. Even today, we look to Morris’s textiles and typefaces as we try to create book covers with staying power.

William Morris, Designer & Provocateur

David Doran Keeps it Minimal for the Cover of Extinctions

David Doran is an award winning illustrator based in Falmouth, UK. From his studio by the water, he works with international brands, magazines, festivals and publishers creating illustrations of all shapes and sizes. His debut book Alphabet Cities is available now in a bookshop near you. Here he takes us through his process for creating the jacket for the hardcover edition of Josephine Wilson’s Extinctions.

David Doran Keeps it Minimal for the Cover of Extinctions

Julia Dixon Evans, Channeling Points of View for How To Set Yourself On Fire

In Julia Dixon Evans' debut novel How to Set Yourself on Fire, 30-something Sheila and her 12-year-old neighbor grow increasingly obsessed with letters to Rosamond, Sheila's recently deceased grandmother, from Harold, a lovestruck neighbor. While Sheila's voice provides the book's primary viewpoint, Harold's voice adds a second narrative rhythm.

Later in the book, Sheila, whose own life tends towards chaos, attempts to impose order by hanging the letters on laundry lines strung around her apartment. Evans's own creative process involved a similar moment of organizational imposition.

Julia Dixon Evans, Channeling Points of View for How To Set Yourself On Fire

The Illustrator's Practice: Jennifer Heuer

For the past 7 years I’ve been working out of the Pencil Factory in Greenpoint Brooklyn. It’s been such an inspiring space to work out of. Having a crew of creative and talented friends up and down the halls has helped shape how I work over the years. Before I moved in here I wasn’t quite as confident in my illustration chops, but when you’re surrounded by some of the best in the biz, you get to have fresh eyes and opinions on projects.

The Illustrator's Practice: Jennifer Heuer

Nikki Green on Creating the Cover for The Lady in the Cellar

Nikki Green is a graphic designer based in the UK. She recently created the cover for Sinclair McKay’s The Lady in the Cellar, published by White Lion Publishing. Here Green answers a few questions about the cover.

Nikki Green on Creating the Cover for The Lady in the Cellar

Sarah Smarsh on the Challenges of Writing Heartland

Each author struggles with her own worst stretch of creation. For some, fanning the spark of an idea into a fully formed concept stands out as most agonizing. Others get caught in the middle stages, struggling to find a way out of narrative tangles and research rabbit holes and multiple storylines. While each phase of her book Heartland had its challenges, writer Sarah Smarsh told Spine that the hardest might have been final edits—letting go of a book she’d worked on for some 16 years.

Sarah Smarsh on the Challenges of Writing Heartland

The Illustrator's Practice: Jeff Östberg

I was born in 1988 in a town called Kramfors in the northern parts of Sweden. It's a very small town so I spent a lot of my time drawing from a young age and I think growing up in a town like that has been important for my process. After college I moved to Stockholm to keep studying art and started with two preparing art schools followed by three years at Konstfack University of Art, Crafts & Design where I did a BA in Graphic Design & Illustration and graduated in 2013. Thereafter I had a year where I did a lot of music which I also love, went broke and started working in a store I hated so I kept building up my portfolio and webpage and some time after launching my page and posting stuff on Behance things started to move. Since then I've been working full-time illustrating.

The Illustrator's Practice: Jeff Östberg

Emily Mahon Discusses Designing the Cover of What If This Were Enough?

When the stars align and the universe is kind, an author’s voice aligns perfectly with a designer’s vision. Such is the story of Emily Mahon’s cover for What If This Were Enough by Heather Havrilesky. Mahon’s simple, no-nonsense, pearlized cover illuminates the humor, emotion, and topical scope Havrilesky brings to the page. And that, dear book lovers, is how all-time favorites are made.

Emily Mahon Discusses Designing the Cover of What If This Were Enough?