When Chris Serigo, a former Art Director and good friend at Penguin Books where I previously worked introduced me to Karen Horton of Henry Holt + Company, I was ecstatic. I had just moved to Boston, was missing my publishing roots and was starving for some creativity. Karen proceeded to inquire about my availability to work on a book of short stories called F*ckface. They were seeking something bold, playful and colorful and with a title like that it was right up my design alley.