Michael Morris with a Look at Different Directions for The Travelers
The cover for The Travelers by Regina Porter came about when I was trying to do something completely different and, once I stopped trying so hard, it finally started to come together. Basically every cover designer will tell you the road to a cover is almost never the same, which makes it interesting but also stressful of course.
This novel is a family saga of two families, one white and one black, interconnected over many years and places. It’s a story made of many different stories, none necessarily more important than the other. This meant there was no shortage of symbols to represent each part, but which ones could represent the wide scope of the entire book was the challenge. Initially in conceptualizing with editorial, we wanted something bold, modern, but with a touch of a southern classic feel. Even though it takes place all over, a large selection of the stories take place in the south, in particular one scene that shapes the events of much going forward. This particular scene takes place on a tragic night when a young black couple is pulled over by the cops in Georgia in 1966. Along that stretch of road are weeping willow trees, we felt that given the strong family narrative it would make sense to use willows as a sort of family tree.